ÀüÅëÀÇ ÁöÇý¿Í Çö´ëÀÇ ±â¼úÀÌ Á¶È­µÈ ÅäÅ» °ÇÃ༭ºñ½º

¡°°ÇÃà»çµéÀÇ ÀÔÁö¸¦ ¹Ù·Î ¼¼¿ï Á¦µµÀÇ °³¼±À» Ã˱¸ÇÏ°Ú´Ù¡± Á¤ÀçÇå ±âÀÚl½ÂÀÎ2015.03.10l¼öÁ¤2015.03.10 11:55

Å©°Ô

ÀÛ°Ô

¸ÞÀÏ

Àμâ

½Å°í

ÀüÅëÀÇ ÁöÇý¿Í Çö´ëÀÇ ±â¼úÀÌ Á¶È­µÈ ÅäÅ» °ÇÃ༭ºñ½º
“°ÇÃà»çµéÀÇ ÀÔÁö¸¦ ¹Ù·Î ¼¼¿ï Á¦µµÀÇ °³¼±À» Ã˱¸ÇÏ°Ú´Ù”
- õ±¹Ãµ ÇÑÀÎÁ¾ÇÕ°ÇÃà»ç»ç¹«¼Ò ´ëÇ¥

»ç¶÷Àº ´©±¸³ª ÁÖ¾îÁø °ø°£¿¡ ¸ÂÃ߱⺸´Ù´Â ÀÚ½ÅÀÇ »îÀÇ ¾ç½Ä´ë·Î °ø°£À» ¸¸µé¾î°¡±æ ¿øÇÑ´Ù. °¡°Ý »êÁ¤¿¡ µû¸¥ ±Þ¹ÚÇÑ °³¹ß°ú Àç°³¹ßÀÇ È«¼ö ¼Ó¿¡ Àü¹® °ÇÃà ±â¼úÀÚµéÀÇ ¿µ¿ªÀÌ Èçµé¸®´Â °¡¿îµ¥, ÀÌÁ¦´Â °ÇÃàÀÇ °ø¹ý°ú ±â¼ú, »çÈÄ °ü¸®±îÁö¸¦ ÃÑ°ýÇÏ´Â °ÇÃà»çµé¿¡ ´ëÇÑ È®°íºÎµ¿ÇÑ ÀçÆò°¡¿Í ÀÎ½Ä È®¸³ÀÌ ÇÊ¿äÇÑ ½ÃÁ¡ÀÌ´Ù. ÀÌ¿¡ µû¶ó ±âº»¿¡ Ãæ½ÇÇÏ¸ç °ÇÃàÀÇ Àü¹®¼ºÀ» °®Ãá ÇÑÀÎÁ¾ÇÕ°ÇÃà»ç»ç¹«¼ÒÀÇ Ãµ±¹Ãµ ´ëÇ¥·ÎºÎÅÍ °ÇÃà»çÀÇ ¹Ì·¡¸¦ Àü¸ÁÇÏ´Â ½Ã°£À» °¡Á³´Ù. 

±âº»¹ÙÅÁ¿¡ Ãæ½ÇÇÑ Çö´ë/ÀüÅë/¸ñÁ¶°ÇÃà ¼³°è ¹× °¨¸® Àü¹®È¸»ç
ÇÑÀÎÁ¾ÇÕ°ÇÃàÀº źźÇÑ °ñÁ¶ ¼Ó¿¡ ¸ðÁø dz»óÀ» ½½±â·Ó°Ô Ç®¾î³ª°¥ À¯¿¬ÇÔÀ» °®Ãá °Ç¹°°úµµ °°Àº ȸ»ç´Ù. °¡Àå Çö´ëÀûÀÎ ±â¼ú·Î ¿µµîÆ÷ ŸÀÓ½ºÄù¾îÀÇ CGV ¸®¸ðµ¨¸µ(CJ SQUARE), ¸¶´ÏÄ¿´ß¹Ú¹°°ü(MANIKER STORY), õ¾È ¹× ¼ÓÃÊÀÇ ½Ã¸³¹Ú¹°°ü°ú ±¹¸³»ïºÀÀÚ¿¬È޾縲 ½£¼ÓÀÇ Áý, ÀÌõ ¼¼¶óÇÇ¾Æ ³» ¿©·¯ °ÇÃ๰À» ¼³°è⦁°¨¸®Çß°í, ÀüÅëÀÇ Çü½ÄÀ» ºô·Á ±¹³» ÃÖ´ë ±Ô¸ðÀÇ ÇÑ¿Á À½½ÄÀûÀÎ ¼Ûµµ ÇÑ¿Á¸¶À» ¿Ü½Ä¼¾ÅÍ(°æº¹±Ã), ±¹¸³»ïºÀÀÚ¿¬È޾縲 ÇÑ¿Á´ÜÁö, ´Ü¾ç ±¸ÀÎ»ç ºÒ±³ÃµÅÂÁß¾Ó¹Ú¹°°ü µî ¸í¼Ò·Î ¼Õ²ÅÈ÷´Â °í°ÇÃ๰ÀÇ ¼³°è⦁°¨¸®⦁½Ã°ø °úÁ¤À» ÃÑ°ýÇÏ¿´´Ù. õ±¹Ãµ ´ëÇ¥´Â “Å©°Ô ÀϹݰÇÃà°ú ÀüÅë°ÇÃàÀ¸·Î ³ª´¶´Ù. ÀüÅë°ÇÃàÀÇ ÀåÁ¡Àº º¸Á¸Çϸ鼭 Çö´ëÀÇ ±â¼úÀ» µµÀÔÇØ ÀÚ¿¬½º·´°Ô °è½Â ¹ßÀüÇϵµ·Ï ¼³°èÇϴ ȸ»çÀÌ´Ù. ±×¸®°í ±âº»ÀûÀÎ °Ç¹°µéÀÇ Çü»ó¿¡¼­ ±¸Á¶±îÁö ÃæºÐÇÑ ÇöÀå°æÇèÀ» ÅëÇØ ÆľÇÇÏ´Â ±âº»±â°¡ ÀÖ´Ù. ÇÁ·ÎÁ§Æ® °³¹ß¿¡¼­ À¯Áöº¸¼ö±îÁö ÷´Ü ¼³°è±â¹ý°ú Ãֽűâ¼úÀÇ Á¶È­¸¦ ÅëÇØ, °ÇÃà¿¡ ÇÊ¿äÇÑ ¼³°è¿¡ ÀÖ¾î ¼öÁØ ³ôÀº ±â¼ú·ÂÀ» ÀÚºÎÇÑ´Ù”°í ±â¾÷ÀÇ Á¤Ã¼¼ºÀ» ¼³¸íÇÑ´Ù. õ ´ëÇ¥´Â ¾î¸°½ÃÀý ¸ñ¼öÀÎ ¾Æ¹öÁö¸¦ ÅëÇØ ¸ñÁ¶°ÇÃàÀÇ Á¤¼®°ú ³¶¸¸ÀûÀÎ ¸ÚÀ» µ¿½Ã¿¡ ¹è¿ü´Ù. ¾Æ¹öÁöÀÇ ±â¼úÀº õ ´ëÇ¥ÀÇ ²ÞÀÌ µÇ¾î, ¼­¿ï°úÇбâ¼ú´ëÇб³ °ÇÃà°øÇаú¿¡¼­ °øºÎÇÏ°í ÇöÀç±îÁöµµ Çо÷¿¡ ¸ÅÁøÇÏ°í ÀÖ´Ù´Â ±×´Â ¿©·¯ °ÇÃà»ç»ç¹«¼Ò¿¡¼­ ½Ç¹«¸¦ °æÇèÇÏ°í ÀÚ°ÝÁõÀ» ÃëµæÇØ Àü ȸ»ç °øµ¿´ëÇ¥ ÀÚ¸®±îÁö ¿Ã¶ó°¬´Ù. “2010³â µ¶¸³Çϱâ ÀÌÀü±îÁö´Â °í°ÇÃà°ú Çö´ë°ÇÃàÀ» ¸ðµÎ °æÇèÇÏ´Â ½Ã°£À̾ú´Ù. ¶ÇÇÑ ÁÖ¿ä ¾÷¹«°¡ ¹Ù·Î ¹®È­½Ã¼³ °ü·Ã »ç¾÷ÀÌ¶ó ¹®È­Àç¿Í Çö´ë°ÇÃàÀ» ¸ðµÎ ´Ù·ç¾ú´Ù” ÀڽۨÀ» ½×°í µ¶¸³ÇØ ³ª¿ÔÁö¸¸, ¿ø¸¸ÇÑ ´ëÀΰü°è¿Í ÀþÀº ³ªÀÌ¿¡ ÀÔÁõÇØ ³½ ½Ç·ÂÀ¸·Îµµ °ÇÃà Àü¹Ý¿¡ ºÒ¾î ´ÚÄ£ ºÒ°æ±âÀÇ È帧Àº ¸¸¸¸Ä¡ ¾Ê¾Ò´Ù. ±×·¡¼­ õ ´ëÇ¥´Â ÀڽŸ¸ÀÇ Æ¯º°ÇÑ ÀåÁ¡À» ÀÌ¿ëÇÏ¿© ±Øº¹ÇØ º¸ÀÚ´Â »ç¾÷Ç÷£À» Á¤ºñÇÏ´ø Áß »ê¸²Ã»°úÀÇ Àο¬À¸·Î ½ÃÀÛÇÑ ¸ñÁ¶°ÇÃàÀ» ƯȭÇÏ¿© ¹Ð°Ô µÈ´Ù. “´ç½Ã Á¤ºÎÀÇ ±×¸°È¨ 200¸¸È£ °Ç¼³Á¤Ã¥À¸·Î ¸ñÁ¶°ÇÃà ½ÃÀå È°¼ºÈ­¿Í ÇÑ(ùÛ)½ºÅ¸ÀÏ À°¼º Á¾ÇÕ°èȹ 6´ë »ç¾÷Áß ÇÑ¿ÁºÐ¾ß¿¡¼­µµ ÀüÅëÇÑ¿ÁÀÇ ºê·£µå°¡Ä¡¸¦ °è½ÂÇÏ°í Çö´ëÀû °ÅÁÖ¼º´ÉÀÌ È®º¸µÈ ´ëÁßÇÑ¿ÁÀ» °³¹ßÇÏ´Â ÇÑ¿ÁR&D»ç¾÷ÀÌ ÇÑâÀ̾ú´Ù. ±×·¡¼­ ÇÑ¿Á¿¡ ´ëÇÑ °ü½ÉÀÌ ´õ Ä¿Á³°í Áö±Ýµµ Çö´ë°ÇÃà°ú °í°ÇÃàÀÌ 50´ë 50ÀÇ ºñÁßÀ¸·Î ²ÙÁØÈ÷ À¯ÁöµÇ°í ÀÖ´Ù” ´õ¿íÀÌ ¸ñ±¸Á¶¸¦ È°¿ëÇÔ¿¡ ÀÖ¾î ÀüÅë¸ñ±¸Á¶, ÀϹݸñ±¸Á¶ ºÐ¾ß ¸ðµÎ¿¡ °æÇè°ú ÀÚ·á, ±â¼ú·ÂÀÌ ÃæºÐÇÏ´Ù´Â »ç½ÇÀº ÇÑÀÎÁ¾ÇÕ°ÇÃàÀÇ Â÷º°¼ºÀ» ÀÍÈ÷ º¸¿©ÁØ´Ù.

°ÇÃà»çÀÇ µ¶Ã¢¼º°ú À̹ÌÁöÁ¦°í, ¹Ì·¡ÀÎÀçÀ°¼º ÀÓ¹«¿¡ ÈûÀ» ´ÙÇÒ °Í
“¿¹Àü¿¡´Â º®Ã¼¸¦ È뺮 µî ÀÚ¿¬ÀûÀÎ Àç·á·Î ±¸ÃàÇß´Ù. ÇÏÁö¸¸ Çö´ë¿¡ ¿Í¼­´Â ¹ýÀû±âÁØÀÇ ÃæÁ·°ú ³»±¸¼ºÀ» À§ÇØ ÀÚÀ縦 ¹Ù²Ù°í Á¢¸ñÇÑ´Ù. ¿ì¸®´Â ¸ñÁ¶°ÇÃà¿¡ »ç¿ëÇÏ´Â °æ°ñ¸ñ±¸Á¶¹æ½Ä(2x4°ø¹ý)À» º®Ã¼¿¡ Á¢¸ñÇØ ´Ü¿­À» ÇÏ°í, °ú°Å ¸¹ÀÌ »ç¿ëÇÏ´ø ¸ñÀçÀÎ À°¼Û(»ó·Ï ±³¸ñ) ´ë½Å ±¸Á¶¿ëÁý¼ºÀç(±Û·ç·¥)·Î ¹Ù²Ù¾ú´Ù. ±×·¯¸é ±âµÕ°ú º®Ã¼ÀÇ °¥¶óÁü, Ʋ¾îÁü °°Àº º¯ÇüÀÌ ¾ø¾î Æ´»õ¹Ù¶÷À¸·Î ½Ç³»¿Âµµ°¡ ³·¾ÆÁö´Â Çö»ó µî ´Ü¿­¼º°ú ±â¹Ð¼ºÀÌ Çâ»óµÈ´Ù” õ ´ëÇ¥´Â Çö´ë°ÇÃà°ú °í°ÇÃàÀ» µ¶Ã¢ÀûÀÎ ¹æ½ÄÀ¸·Î Á¶È­½ÃÅ°´Â ¹æ¹ýÀ» ¿¬´Þ¾Æ ¼³¸íÇÑ´Ù. “ÁöºØ ±¸Á¶¿¡ À־µµ °ú°Å ÇÑ¿Áó·³ ÈëÀ» °³¾î ¿Ã¸° ½À½Ä°ø¹ý ´ë½Å, °Ç½Ä°ø¹ýÀ¸·Î Áý Àüü¸¦ °æ·®È­ ½ÃŲ´Ù. Çö´ëÀÎÀÇ »ýÈ° ÆÐÅÏ¿¡ ºÒÆíÇÔÀÌ ¾øµµ·Ï ÇÏ´Â °ÍÀÌ´Ù. ÀÌ°ÍÀÌ ¿ì¸® ½ÄÀÇ ¿Â°íÁö½ÅÀÌ´Ù” ¾ÆÁ÷Àº ÀþÀ½ÀÌ ÁöÅÊÇÏ°í ÀÖ¾î ÀÚ¸®¿¡¼­ Áö½ÃÇϱ⺸´Ù´Â Á÷Á¢ ¶Ù´Â °ÍÀÌ ´õ ÆíÇϴٴ õ ´ëÇ¥´Â ´çÀå ¹°Áúº¸´Ù´Â ‘¹ßÀü’, ‘ÅÍÀü È®¸³’À̶ó´Â ¸ñÇ¥¸¦ ¹Ù¶óº¸°í ÀÖ´Ù. “°ÇÃà°è Àüü°¡ ¹ßÀüÇÏ°í, ƯÈ÷ ÀþÀº °ÇÃà»çµéÀÌ »ì¾Æ°¥ ¼ö ÀÖ´Â ÅÍÀüÀ» ¸¸µå´Â °ÍÀ» ¿øÇÑ´Ù. ´çÀå ¸Ô°í »ì±â À§ÇØ À̸®Àú¸® ÈֵѸ®±âº¸´Ù´Â Àå±âÀûÀÎ °ÇÃà»ê¾÷ Àü¹ÝÀûÀÎ ¹ßÀüÀ» ¹Ù¶óº¸°í »ý°¢ÇÏ´Â ÀÚ¼¼°¡ ÇÊ¿äÇÏ´Ù°í º»´Ù” õ ´ëÇ¥´Â °ÇÃà¿¡ ´ëÇÑ È«º¸³ª, ÇöÀç ÁøÇà ÁßÀÎ ¾÷¹«µé·Î »ç¹«½ÇÀ» À¯ÁöÇÏ¸ç ½Ç·Â°ú ±â¹ÝÀ» ´Ü´ÜÈ÷ ±¸ÃàÇÒ °ÍÀ» ´ÙÁüÇÏ°í ÀÖ´Ù. ÀÌ·¯ÇÑ È°µ¿ÀÇ ÀÏȯÀ¸·Î, õ ´ëÇ¥´Â ´ëÇÑ°ÇÃà»çÇùȸ ¹Ì·¡ÀÎÀçÀ°¼ºÀ§¿øȸÀÇ À§¿øÀ» ¸Ã¾Ò´Ù. °ÇÃàÀûÀÎ Á¦µµ¸¦ °³¼±ÇÏ°í, È°µ¿ÇÒ ¶§ ¹ß¸ñÀ» Àâ´Â ºñÇÕ¸®ÀûÀÌ°í ±¸ÅÂÀÇ¿¬ÇÑ ºÎºÐÀ» °³¼±Çϱâ À§Çؼ­´Ù. °ÇÃà»çµéÀÇ ÀÔÁö¸¦ Æ°Æ°ÇÏ°Ô ÇÏ°í ¾ÈÁ¤ÀûÀ¸·Î ÀÚ¸® ÀâÀ» ¼ö ÀÖ´Â Á¦µµ¸¦ ¸¸µé¾î °¡°íµµ ½Í´Ù. ±×·¯ÀÚ¸é °ÇÃà°ú °ÇÃà»ç¸¦ ³Î¸® ¾Ë¸®´Â ÀÏÀÌ Áß¿äÇϱ⿡, ±×´Â ´ëÇÑ°ÇÃà»çÇùȸ(Á¶Ãæ±â ȸÀå)ÀÇ °ÇÃ࿵ȭÁ¦ ÁýÇàÀ§¿øÀ¸·Î È°µ¿ÇÏ¸ç ¿µÈ­Á¦¸¦ ÃßÁøÇÏ°í ¹Ì·¡ÀÎÀçÀ§¿øȸÀÇ À§¿øÀ¸·Î¼­ °ÇÃà°ú °ÇÃà»ç¸¦ È«º¸ÇÏ°í ÀÖ´Ù. 2015³â Çùȸ´Â ù Á÷¼±Á¦·Î ȸÀåÀ» ¼±ÃâÇØ È¸¿øÀ» À§ÇÑ °­ÇÑ Çùȸ¸¦ Ç¥¹æÇÏ°í, °ÇÃà¿¡ ´ëÇÑ ¿Ã¹Ù¸¥ Áö½ÄÀ» Àü´ÞÇÏ´Â Æ÷ºÎ·Î Ãâ¹üÇÑ ¹Ù ÀÖ´Ù. ¾ÕÀ¸·Îµµ õ ´ëÇ¥ÀÇ ¿­Á¤ÀûÀÎ È°µ¿ÀÌ °ÇÃ๮ȭÀÇ ³»½ÇÀ» °¡²Ù°í ¹ßÀü¿¡ ±â¿©ÇÏ¿©, ´ëÇѹα¹ °ÇÃà»çµéÀÇ Èñ¸ÁÂù ¹ß°ÉÀ½À» ¸¸µé ¼ö Àֱ⸦ ¹Ù¶õ´Ù.

 

Total architectural service through traditional wisdom and modern technology
"I will demand improvement of regulation for architects" 
- Kukchun Chun, the CEO of Hanin Architecture
Professional company specializing in design and supervision of modern, traditional and wooden buildings

Hanin Architecture is a company which has overcome many wind and frost by their strong framework and flexibility. With modern technology, they designed and supervised remodeling of CGV in Times Square, Yeongdeungpo, MANIKER STORY, Municipal Museum in Cheonan and Sokcho, Forest House in Sambong National Natural Recreation Forest, and numerous buildings in Icheon Cerapia. Also with traditional forms, they designed, supervised and constructed Korea's largest scale Korean restaurant Songdo Hanok Village Dine Center (Gyeongbokgung), Korean House Complex in Sambong National Natural Recreation Forest, and Guin Temple Buddhist Museum of Cheontae Order in Danyang. Chun says "architecture is divided into general architecture and traditional architecture. We preserve advantages of traditional architecture and introduce modern technology. And we analyse basic figures of building and its structure through our field know-how. From development of project to maintenance and repair, we use cutting edge technology and designing methods." Chun learned standard and esthetics of wooden architecture from his father who was a carpenter when he was a child. He then majored in Architectural Engineering at Seoul National University of Science and Technology and he said he is still studying. He has worked for several architecture companies, acquired certificates, and finally became a co-CEO of former company. Chun says "it was time for me to experience both traditional and modern architecture before I was independent in 2010. As my main works were related to cultural facilities, I treated both cultural assets and modern architecture." With his capacity, he built good relationships with people and was independent but economic recession gave him hardship. Chun was strengthening his good points when he was offered to take wooden architecture from Korea Forest Service. Chun says "around that time, government's Korean House R&D Project were ongoing as a part of Six Projects of Han Style Promotion Total Plan which was to build 200,000 Green Home. This increased popularity of Korean house and the ratio between modern architecture and traditional architecture is 50:50 now." Hanin Architecture also has enough experience, materials and technology in traditional wooden structure and general wooden structure.

Doing best to improve creativity and image and to foster future talent
Chun says "we built wall with natural materials in the past. But we change or graft materials for durability and for keeping up the legal standard. We insulate by grafting 'shinbone wooden structural method (2x4 method)' to the wall and changed existing evergreen tree to laminated timber for structure. By doing that, we can improve crack on pillars and walls, insulation and airtightness." Regarding the methods of connecting traditional architecture with modern architecture, Chun explains "instead of wet method for roof in the past, we lighten up the structure with dry method in order to provide convenience for life pattern of modern people." Although Chun is CEO, he directly work in the field with his staff and his goal is to build a foundation to grow together. Chun says "I want the industry to develop and I want to build a foundation for young architects to survive. We need an attitude to see further rather than to seek short term profits." In order to promote architecture, Chun is also working as a member of Future Talent Support Committee of Korea Institute of Registered Architects to improve irrational system and to strengthen the status of architects and their stability. As spreading architecture and architects are important, Chun is also working as a member of the executive committee of Architectural Film Festival of Korea Institute of Registered Architects (chairman Chungki Choi). The association is run by direct election system for the members and they are delivering right knowledge of architecture. And Chun is passionate to build a good architectural culture.
 


Á¤ÀçÇå ±âÀÚ  jjh05220@naver.com
<ÀúÀÛ±ÇÀÚ © ¿ù°£ÆÄ¿öÄÚ¸®¾Æ, ¹«´Ü ÀüÀç ¹× Àç¹èÆ÷ ±ÝÁö>

Á¤ÀçÇå ±âÀÚÀÇ ´Ù¸¥±â»ç º¸±â
°¡Àå ¸¹ÀÌ º» ±â»ç
¿©¹é
¿©¹é
½Å¹®»ç¼Ò°³¤ý±â»çÁ¦º¸¤ý±¤°í¹®ÀǤýºÒÆí½Å°í¤ý°³ÀÎÁ¤º¸Ãë±Þ¹æħ¤ýû¼Ò³âº¸È£Á¤Ã¥¤ýÀ̸ÞÀϹ«´Ü¼öÁý°ÅºÎ
¢ß´º½º¾Ø¸Å°ÅÁø ÆÄ¿öÄÚ¸®¾Æ ´ëÇ¥ ¹éÁ¾¿ø  |   ¼­¿ïƯº°½Ã ±¤Áø±¸ Á߰ 162-3¹øÁö 2Ãþ  |  ´ëÇ¥ÀüÈ­ : 02-466-5085  |  Æѽº : 02-444-0454
´ëÇ¥¸ÞÀÏ/Á¦ÈÞ±¤°í¹®ÀÇ : bridgekorea@naver.com  |  °³ÀÎÁ¤º¸°ü¸®Ã¥ÀÓÀÚ : ¹éÁ¾¿ø(bridgekorea@naver.com)  |  »ç¾÷ÀÚµî·Ï¹øÈ£ : 591-87-01957
û¼Ò³âº¸È£Ã¥ÀÓÀÚ : ¹éÁ¾¿ø
Disclaimer: PowerKorea makes an article based on the information of products and/or services provided in paper and/or in interview by the company, the organization or the person that is solely responsible for the information.
Copyright © 2008 - 2024 ¿ù°£ÆÄ¿öÄÚ¸®¾Æ. All rights reserved.