ÇÏ´ÃÀÌ »ç¶ûÇÑ ¾Ç±â ¸¸µ¹¸°°ú ¿ìÄð·¼·¹ÀÇ Ã¼°èÀû ´ëÁßÈ­

¡°±¹³» ¸¸µ¹¸° ¹Ú»çÇÐÀ§ 1È£·Î ¸¸µ¹¸° ¿ÀÄɽºÆ®¶ó Çؿܱ³·ù ¹× ÈÄÇо缺¿¡ Èû ½á¡± ¿À»óÇå ±âÀÚl½ÂÀÎ2016.06.15

Å©°Ô

ÀÛ°Ô

¸ÞÀÏ

Àμâ

½Å°í

   

ÇÏ´ÃÀÌ »ç¶ûÇÑ ¾Ç±â ¸¸µ¹¸°°ú ¿ìÄð·¼·¹ÀÇ Ã¼°èÀû ´ëÁßÈ­
“±¹³» ¸¸µ¹¸° ¹Ú»çÇÐÀ§ 1È£·Î ¸¸µ¹¸° ¿ÀÄɽºÆ®¶ó Çؿܱ³·ù ¹× ÈÄÇо缺¿¡ Èû ½á”
·ç¾ß ¸¸µ¹¸° ¿ÀÄɽºÆ®¶ó À̱¹Ç¥ À½¾Ç°¨µ¶/ Çѱ¹ ¿ìÄð·¼·¹ ¾Ó»óºí ¼ö¼®ÁöÈÖÀÚ

½ÅÈ­ ¼Ó ·ùÆ®´Â ½ÅÀÌ ºú¾î ÇÏ´ÃÀÇ µµ¿òÀ¸·Î ¿µ±Ù °úÀÏÀ» ´à¾Ò´Ù°í ÇÑ´Ù. ±×¸®°í ±× ·ùÆ®¸¦ ²À ´àÀº Çö¾Ç±âÀÎ ¸¸µ¹¸°Àº ¹Ù·ÎÅ© ½Ã´ë ÀÌÀüºÎÅÍ ÀÌÅ»¸®¾Æ °íÀüÀ½¾ÇÀ» dz¼ºÇÏ°Ô Àϱº ¾Æ±âÀÚ±âÇÑ ¾Ç±âÀÌ´Ù. ¿µÈ­¿Í ÇùÁÖ°îÀ¸·Î ¸¶´Ï¾ÆµéÀÇ »ç¶ûÀ» ¹Þ´Â ¸¸µ¹¸°, ±×¸®°í ÇÏ¿ÍÀÌÀÇ °æÄèÇÑ ¸®µë À½¾Ç°ú ÆË À½¾Ç¿¡ À̸£±â±îÁö °¨ÃÊ ¿ªÇÒÀ» ÇÏ´Â ¿ìÄð·¼·¹·Î ÇÑÀÏ ¾ç±¹ °£ÀÇ À½¾Ç±³·ù, ±×¸®°í Á¦´ë·Î µÈ Çаú â¼³À» À§ÇØ ´Þ¸®´Â ±¹³» ¸¸µ¹¸° ¹Ú»ç 1È£ À̱¹Ç¥ À½¾Ç°¨µ¶À» ¸¸³ªº»´Ù. 

³ë·¡ÇÏ´Â ¾Ç±â¶ó ĪÇÏ´Â ¸¸µ¹¸°°ú ¿ìÄð·¼·¹ÀÇ ¸Å·Â
2002³â 3¿ù Ãâ¹üÇÑ ·ç¾ß¸¸µ¹¸° ¿ÀÄɽºÆ®¶ó¸¦ ºñ·ÔÇØ Ç϶û¸¸µ¹¸° è¹ö, µå¸²¸¸µ¹¸° è¹ö, Àڿ¸¸µ¹¸° è¹ö µîÀ» À̲ø¸ç 17¼¼±â ÀÌÀüºÎÅÍ Á¾ÁÖ±¹ ÀÌÅ»¸®¾Æ À½¾ÇÀεéÀÇ »ç¶ûÀ» µë»Ò ¹Þ¾Æ¿Â ¸¸µ¹¸°ÀÇ ´ëÁßÈ­¿¡ ±â¿©ÇØ ¿Â À̱¹Ç¥ À½¾Ç°¨µ¶Àº ÃʵîÇб³ 2Çг⠶§ ±³È¸ Å©¸®½º¸¶½º ¹ÂÁöÄÃÀÇ ÁÖ¿ªÀ¸·Î ¹ßŹµÇ¾î ³ë·¡¿Í ¿¬±â¸¦ ¼±º¸ÀÌ°í, µ¶ÇÐÀ¸·Î dz±ÝÀ» ½ÃÀÛÇϸç À½¾Ç°ú Àο¬À» ¸Î¾ú´Ù. Ưº°È÷ À½¾Ç·¹½¼À» ¹ÞÁö ¸øÇßÁö¸¸ Ç×»ó À½¾Ç¿¡¼­ ¸¸Á¡À» ¹Þ´Â ÇлýÀÌ´ø ÀÌ °¨µ¶Àº ÁßÇлý ¶§ Àü±³»ý Á¶È¸ ½Ã°£¿¡ ÁöÈÖ¸¦ ÇÏ°í, ÇÕâ´ëȸ ¶§µµ ÁöÈÖ¸¦ ¸Ã¾Ò´Ù. ¿ø·¡ »ç¹ü´ëÇÐ °¡Á¤±³À° Àü°øÀ¸·Î »çȸ¿¡ ù ¹ßÀ» µðµ±Áö¸¸, 1990³â ÃæÇö±³È¸¿¡¼­ ¸¸µ¹¸° ¸â¹ö¸¦ ¸ðÁýÇϸ鼭 ¸¸µ¹¸°À» Á¢ÇÏ°Ô µÇ¾ú´Ù. È£»ê³ª¸¸µ¹¸°¿ÀÄɽºÆ®¶ó¿¡¼­µµ 10³â µ¿¾È ¿¬ÁÖÈ°µ¿À» ÇÏ°í 1999³âºÎÅÍ °­»ç¸¦ ½ÃÀÛÇß´Ù. ±×¸®°í ¸¸ 50¼¼ÀÇ ´ÊÀº ³ªÀÌ¿¡ ¹é¼®´ë ´ëÇпø¿¡ µé¾î°¡ À½¾Ç±³À°À» Àü°øÇÏ°í ¼®»çÇÐÀ§¸¦ ÃëµæÇß´Ù. ÀÌÈÄ ÀÌÅ»¸®¾Æ¿¡¼­ ¸¸µ¹¸°°ú ÁöÈÖ°úÁ¤À» °øºÎÇÏ°í ¸¸µ¹¸°À¸·Î ¼®·¹Ú»ç ÇÐÀ§¸¦ ÃëµæÇÏ°Ô µÈ´Ù. ¸¸Çеµ·Î ½ÃÀÛÇØ Çѱ¹¿¡¼­ ÀÌÅ»¸®¾Æ À¯ÇÐÆÄÀÌÀÚ ¸¸µ¹¸° ¹Ú»ç·Î´Â 1È£°¡ µÈ °ÍÀÌ´Ù. ±èÁ¾ÇÊ Àü ÃѸ®ÀÇ Ãë¹ÌÀÎ °ÍÀ¸·Î À¯¸íÇß´ø ¸¸µ¹¸°Àº 4¶óÀÎÀÌ °ãÀ» ÀÌ·é 8ÇöÀ¸·Î µÈ ÀÛÀº Çö¾Ç±âÀÌ´Ù. ±×¸®°í Àΰ£ÀÇ ¼º´ë¹ß¼ºÀ» ¿¬»óÄÉ ÇÏ´Â µ¶Æ¯ÇÑ Æ®·¹¸ô·Î ÁÖ¹ýÀ¸·Î ¾Æ¸§´ä°í »ç¶û½º·¯¿î ¼­Á¤¹Ì¸¦ Ç¥ÇöÇÏ°í ÀÖÀ¸¸ç ¸ðÂ÷¸£Æ®ÀÇ ¿ÀÆä¶ó <µ· Á¶¹Ý´Ï>, ºñ¹ßµðÀÇ <µÎ ´ëÀÇ ¸¸µ¹¸°À» À§ÇÑ ÇùÁÖ°î GÀåÁ¶>¸¦ ÅëÇØ ±¹³»¿¡¼­µµ ²ÙÁØÇÑ °ü½ÉÀ» ¹Þ°í ÀÖ´Ù. ¶ÇÇÑ ÀÌ °¨µ¶Àº 2007³â°æ ¿ìÄð·¼·¹¸¦ ½ÃÀÛÇÏ¿© Çѱ¹ ¿ìÄð·¼·¹ ¾Ó»óºí È°µ¿°ú ¹®È­¼¾ÅÍ ¿ìÄð·¼·¹¹Ý, ¼ÖºûÁö¿ª ¾Æµ¿¼¾ÅÍÀÇ ¾ÆÀ̵éÀ» ÁöµµÇÏ°í ¿¬ÁÖ ºÀ»çÈ°µ¿¿¡ ¸öÀÌ ¿­ °³¶óµµ ¸ðÀÚ¶ö ½ºÄÉÁÙÀ» ¼ÒÈ­ÇÏ°í ÀÖ´Ù. Æ÷¸£Åõ°¥¿¡¼­ ÇÏ¿ÍÀÌ·Î ÀüÇØÁø ¿ìÄð·¼·¹´Â ‘¹Ì´Ï 4Çö ±âŸ’¶ó´Â º°¸íÀÌ ÀÔÁõÇϵí, ÄÚµåÀÇ ½ºÆ®·ÎÅ© ±â¹ýÀ¸·Î ¸¸µå´Â ¸®µë°¨ÀÌ ÀÏÇ°Àε¥´Ù È޴뼺°ú º¸°üÀÌ ÆíÇÑ ´öºÐ¿¡ ´ëÁßÈ­ µÇ´Â ÁÁÀº ¾Ç±âÀÌ´Ù. ÀÌ °¨µ¶Àº Áö³­ 2012³â ¾Ð±¸Á¤µ¿/È«´ë ·Ôµ¥½Ã³×¸¶¿¡¼­ »ó¿µµÈ <¿ìÄð·¼·¹ »ç¶û ¸ðÀÓ>À̶ó´Â µ¶¸³ ´ÙÅ¥¿µÈ­¿¡ ÁÖÀΰøÀ¸·Î Ã⿬ÇØ ¿ìÄð·¼·¹°¡ Áö´Ñ ¾Æ±âÀÚ±âÇÑ ¸Å·ÂÀ» ¼±º¸¿© È£ÆòÀ» ¹Þ±âµµ Çß´Ù.

Àç´É±âºÎ¿Í ´ëÁßÈ­ ³ë·Â, ÀÌ¿ô³ª¶ó À½¾ÇÀεé°ú ±íÀº ±³·ù 
¸¸µ¹¸°Àº Çö¾Ç±â°¡ ºñ¿Ã¶ó¿Í ¹ÙÀ̿ø°, ÿ·Î µîÀ¸·Î ±¸ºÐµÇµí À½¿ª¿¡ µû¶ó ¸¸µ¹¸°, ¸¸µ¹¶ó, ¸¸µµ·Ðÿ·Î, ¸¸µµ·Î³× ÄÜÆ®¶óº£À̽º·Î ÀÌ·ç¾îÁ® ´õ¿í ½É¿ÀÇÑ ¼Ö·Î¿Í µà¿§, Æ®¸®¿À, è¹ö, ¾Ó»óºí, ¿ÀÄɽºÆ®¶ó ±¸¼ºÀÌ °¡´ÉÇÏ´Ù. 4°³ÀÇ ¸¸µ¹¸° ÆÀÀ» °¡¸£Ä¡°í °¢°¢ÀÇ ÆÀ¿øµéÀ» À̲ø°í  ÁÖ·Î ¼Ò³â¿ø, ¿ä¾ç¿ø, ¾ç·Î¿ø, º´¿ø, ±¸Ä¡¼Ò, Àå¾ÖÀÎ ½Ã¼³ µîÀ» ã¾Æ ¿¬ÁÖ Àç´É±âºÎ¿¡ ¿©³äÀÌ ¾ø´Â ÀÌ °¨µ¶Àº, »ç¶÷µé¿¡°Ô À½¾ÇÀ» ÅëÇØ Èñ³ë¾Ö¶ôÀÇ °¨Á¤À» °øÀ¯ÇÏ°í °ø°¨ÇÏ´Â °ÍÀÌ Áß¿äÇÏ´Ù°í ¸»ÇÑ´Ù. ¶ÇÇÑ ÀçÀϱ³Æ÷ ¿¬ÁÖÀÚ¸¦ ÅëÇØ ¿¬ÀÌ ´êÀº ÀϺ»ÀÇ ±×·ì ´Ù¸¶¸¸µ¹¸°ÆÀ, OST¸¸µ¹¸°ÆÀ, ¿À¾ßÁö¸¸µ¹¸°ÆÀ°ú ÇÑ,ÀÏ ¸¸µ¹¸° ±³·ù¿¬ÁÖȸ µî ÇØ¿Ü ¾ÆƼ½ºÆ®µé°úÀÇ ÀڸŰῬ °ø¿¬¿¡µµ Ãæ½ÇÇÏ´Ù. ÀϺ»±³È¸¿Í °ø¿¬Àå¿¡¼­ ÀÌ¹Ì ¼öÂ÷·ÊÀÇ ¿¬ÁÖ·Î ¼±±³È°µ¿À» Çϱ⵵ Çß´Ù.

“ÀÛ³â 12¿ù¿¡´Â ÀϺ»¿¡¼­ ÃÖ¼Ò 50³â ÀÌ»ó ¸¸µ¹¸°À» ¿¬ÁÖÇÑ Àü¹®°¡µé·Î ±¸¼ºµÈ ¿ì¼öÇÑ ½Ç·ÂÆĵé°ú ÇÕµ¿°ø¿¬À» Çß¾ú´Ù. ÀϺ»Àº ÃʵîÇб³ÀÇ ¹æ°ú ÈÄ ¼ö¾÷°ú µ¿¾Æ¸® µîÀ¸·Î źźÇÏ°í ü°èÀûÀ¸·Î ¸¸µ¹¸°À» ¹è¿ï ¼ö ÀÖ¾î Çѹø ¹è¿ì¸é Æò»ý Ãë¹Ì·Î ¿¬ÁÖÇϰųª, ÃæºÐÈ÷ ¿¬½ÀÇϸé Àü¹® °ø¿¬ÀÚ°¡ µÉ ¼ö Àִ ȯ°æÀÌ´Ù” Á¦ÀÚµé°ú ÇÔ²² Çѱ¹ÀÇ ÀüÅë À½¾Ç, µå¶ó¸¶ OSTÀÇ ¸¸µ¹¸° Æí°î ¹öÀüÀ» À½Çâ °ø¸í¼³°è°¡ Àß µÇ¾î ÀÖ´Â ÀϺ»ÀÇ °ø¿¬Àå¿¡¼­ ¿¬ÁÖÇÏ¿©, °´¼®À» °¨µ¿ÀÇ µµ°¡´Ï·Î ¸¸µç ¹÷Âù °æÇèµµ Çß´Ù. À̸¦ °è±â·Î ÀÌ °¨µ¶Àº Çѱ¹¿¡¼­µµ À½¾Ç Àü¹®°ø¿¬ÀåÀ» ¼³°èÇÒ ¶§ À½ÇâÀü¹®°¡¿Í ÇÔ²² ÇÏ¿©, ¿¬ÁÖÀÚÀÇ À½¾ÇÀ» °´¼®¿¡¼­ ÃæºÐÈ÷ ´À³¥ ¼ö ÀÖ°Ô µÇ±æ ¹Ù¶õ´Ù°í µ¡ºÙ¿´´Ù. ¶ÇÇÑ ¿©¼º À½¾ÇÀÎÀ¸·Î¼­, ÀÌÅ»¸®¾Æ À¯ÇÐ ½ÃÀý ¼º°¡´ë¿Í ¿ÀÄɽºÆ®¶óÀÇ ¿©¼º ÁöÈÖÀÚµéÀ» º¸¸ç ±íÀº ÀλóÀ» ¹Þ¾ÒÀ¸¸ç ¸ÓÁö¾Ê¾Æ ¿ì¸®³ª¶ó¿¡¼­µµ ¿©¼º À½¾Ç°¨µ¶°ú ÁöÈÖÀÚµéÀÌ ¸¹ÀÌ ¹èÃâµÉ ±àÁ¤ÀûÀÎ ¹Ì·¡¸¦ ±â´ëÇÑ´Ù°í ¹àÇû´Ù. 

´©±¸³ª ¾Ç±â¸¦ Ãë¹Ì »ï´Â ³ª¶ó, ¸¸µ¹¸°ÀÇ Á¤±Ô ±³À°°úÁ¤ ½Å¼³ ÀÌ·ïÁö±æ
“¸¸µ¹¸°°ú ¿ìÄð·¼·¹·Î °¨Á¤ÀÇ Èñ·Î¾Ö¶ôÀ» Ç®¾î³»°í, ÀÌ À½¾ÇÀ» µéÀº »ç¶÷µéÀÌ À§¾ÈÀ» ¹Þ°Å³ª ¼±ÇÏ°í ±àÁ¤ÀûÀ¸·Î ¸¶À½ÀÌ ¹Ù²î´Â °ÍÀ» ÀÚÁÖ ¸ñ°ÝÇß´Ù. ¸¸µ¹¸°Àº Ŭ·¡½Ä¿¡ ¸¹ÀÌ µîÀåÇÏÁö¸¸, ¹êÁ¶¿Í ÇÔ²² ¹Ì±¹ ÄÁÆ®¸®À½¾Ç ºí·ç±×·¡½º¿¡µµ ÀÚÁÖ °çµéÀÌ´Â ¾Ç±âÀÌ´Ù. ÈçÈ÷ Ŭ·¡½ÄÀº °í»óÇÏ°í Áö·çÇÏ´Ù°í ÇÏÁö¸¸ °ú°Å¿¡´Â ¹î³ë·¡³ª ¹«µµÈ¸¿¡¼­ ¿¬ÁֵǴø ´ëÁßÀ½¾ÇÀ̾ú´Ù. ±×¸®°í ÇѶ§ õ´ë¹Þ´ø ÀçÁî´Â ü°èÈ­µÇ°í ¼¼°è·Î ÆÛÁö¸é¼­ ÀÌÁ¦ ¼öÁØ ³ôÀº À½¾Ç ´ë¿ì¸¦ ¹Þ°Ô µÆ´Ù” À帣¸¦ ÃÊ¿ùÇÏ¿© °¨¼ö¼º¿¡ ÁÁÀº À½¾ÇÀ» °ñ¶ó µè°í ¿¬ÁÖÇÏ´Â °ÍÀ» »îÀÌÀÚ »ýÈ°ÀÇ ÀüºÎ·Î »ï°í ÀÖ´Ù´Â ÀÌ °¨µ¶ÀÇ ¼³¸íÀÌ´Ù. ÀÌ °¨µ¶Àº À½¾Ç ±³À°Àڷμ­ “¹«´ë¿¡¼­ ¿¬ÁÖÇÑ´Ù´Â °ÍÀº ½º½º·Î¸¦ »Ë³»±â À§ÇÔº¸´Ù, ¾Ç±â¿¬ÁÖ¸¦ ÅëÇØ À̾߱âÇÏ°í , °ü°´µé°ú °¨Á¤À» °øÀ¯ÇÏ´Â °úÁ¤À» ÅëÇØ ÀüÀ²À» ´À³¢°í, ±× °¨Á¤ÀÌ °ü°´¿¡°Ô ÀüÇØÁö´Â °Í”ÀÓÀ» ´Ã Á¦Àڵ鿡°Ô °­Á¶ÇÑ´Ù°í ¸»ÇÑ´Ù. ¶ÇÇÑ ÀÌ °¨µ¶Àº ÀÌ·¯ÇÑ °æÁö¿¡ ¿À¸£±â¸¦ ¹Ù¶ó´Â ¿¬ÁÖÀڵ鿡°Ô, ¿¬ÁÖ ½Ç·ÂÀ» ´Ã¸®±â À§Çؼ­´Â ¼ö¸¹Àº ¿¬½À°ú Àڱ⠿¬ÁÖ¸¦ ³ìÀ½ÇØ Çǵå¹éÇÏ´Â °úÁ¤À» °ÅÃÄ¾ß ºñ·Î¼Ò ¹«´ë¿¡ ¿À¸¦ ¼ö ÀÖ´Ù°í ÀüÇÑ´Ù. ¸î³âÀü ÀϺ»¿¡¼­ Ç渮¿ô ¿µÈ­ <ÄÚ·¼¸®ÀÇ ¸¸µ¹¸°>ÀÌ ¹æ¿µµÇ¸é¼­ ´ëÇп¡ Á¤±Ô Çаú°¡ »ý°Ü³µ´Ù, Çѱ¹ÀÇ °æ¿ì ¸¸µ¹¸° Çùȸ¿¡¼­ 1997³âºÎÅÍ Áö±Ý±îÁö ¿¬ 1ȸ Àü±¹ ¸¸µ¹¸°Æ佺Ƽ¹úÀ» °³ÃÖÇÏ¿©, ¹à°í °¨¼ºÀûÀÎ À½»öÀ» Áö´Ñ ¸¸µ¹¸°¿¡ ´ëÇÑ °ü½ÉÀÌ Á¡Á¡ Ä¿Á®°¡°í ÀÖÁö¸¸ ¾Æ½±°Ôµµ ¾ÆÁ÷ Àü¹®Çаú´Â ¾ø´Â »óȲÀÌ´Ù. ÀÌ °¨µ¶Àº ¾ðÁ¨°¡ ´ëÇп¡ ¸¸µ¹¸° Á¤±ÔÇаú°¡ ½Å¼³µÇ¸é, ±¹³» 1È£ ¸¸µ¹¸° ¹Ú»çÀ̱⵵ ÇÑ Àü°øÀ» »ì·Á ±³¼ö·Î¼­ Á¦ÀÚµéÀ» ¾ç¼ºÇÏ´Â °ÍÀÌ ¿À·£ ¼Ò¸ÁÀ̶ó°í ÇÑ´Ù. 100¼¼ ½Ã´ë¸¦ ¸ÂÀÌÇÏ¿© ´ëÁßµéÀÌ 1ÀÎ 1¾Ç±â¸¦ º¸À¯ÇÏ°í, 100»ì±îÁö Çϳª ÀÌ»óÀÇ ¾Ç±â¸¦ ¿¬ÁÖÇÏ´Â ¼¼»óÀÌ ¿À±æ ¹Ù¶ó¸ç, ¾Æ¿ï·¯ ¸¸µ¹¸°°ú ¿ìÄð·¼·¹¸¦ ÅëÇØ À½¾ÇÀ̶ó´Â ¾Æ¸§´Ù¿î À̾߱⸦ ÀüÇÏ°í »ç¶÷µéÀÇ ¸¶À½À» ¹àÀ½À¸·Î ä¿ö°¡´Â ÀÌ °¨µ¶ÀÇ ÀÛÁö¸¸ °­ÇÑ ¹Ù¶÷ÀÌ ¹Ýµå½Ã ÀÌ·ç¾îÁö±â¸¦ ÇÔ²² ¹Ù·¡º»´Ù. 

Popularizing mandolin and ukulele 
Korea's first doctor of mandolin exerts efforts in fostering talents
Lee Guk-pyo, Music Director of Lujah Mandolin Orchestra and Principal Conductor of Korea Ukulele Ensemble

Introducing the charm of mandolin and ukulele
Mandolinist Lee founded Lujah Mandolin Orchestra in March 2003 and has contributed to popularizing the instrument by running various other chambers like Harang Mandolin Chamber, Dream Mandolin Chamber and Jawunyoung Mandolin Chamber. Lee was selected as the main actress for a Christmas musical when she was a second grade elementary student and started to learn to play the reed organ by herself. She always got a perfect score in music exams, became the conductor of morning assembly of a school as well as many choir competitions when in middle school. Although she majored in Home Training, she started to play the mandolin in ernest by a chance when she went to Chunghyeon Church in 1990. Soon she moved to Hosanna Mandolin Orchestra in which she played for 10 years and started to teach people from 1999. At the age of 50, she entered Graduate School of Baekseok University to study music education and obtained a master's degree. Her passion did not stop there. She moved to Italy to take a conductor's course for mandolin and obtained both master's and doctoral degrees to be the first Korean doctor of mandolin. The instrument has 8 strings in total with 2 strings working as a pair. Its unique tremolo style makes people feel beautiful and emotional and it is better known to Korea through Mozart's Don Giovanni and Vivaldi's Concerto for 2 Mandolines in G major. Lee also started playing the ukulele from 2007 and is actively engaging in Korea Ukulele Ensemble and free teaching and performance for underprivileged neighbors. Introduced from Portugal to Hawaii, its small size and rhythmic stroke style make it easy to carry and play. She demonstrated its charm on the independent movie 'Ukulele Lover Club' screening at Lotte Cinema in Apgujeong-dong and Hongdae. 

Lee promotes international exchange with neighboring countries
Mandolin is divided into mandolin, mandola, mandoloncello and mandolone contrabass according to the range of the musical note. Thanks to this variety, you can form a duet, trio, chamber, ensemble and orchestra. Lee alone runs 4 mandolin teams and gives performance for physically and socially underprivileged people to share four feelings of joy, anger, sorrow and pleasure while actively engaging in exchange with Japanese Dama Mandolin Team, OST Mandolin Team and Oyagi Mandolin Team. Lee and the teams already have given numerous performance at churches and concert halls in Japan. Lee says "We performed with Japanese mandolin players who have played the instrument more than 50 years. Many Japanese students learn mandolin for hobby and some of them actually become the players when they grow up." Lee also experienced Japan's excellent sound system of concert halls and hoped that Korea would follow suit while emphasizing on more presence of female conductors like many European countries. 

Lee exerts effort in establishing a regular course for mandolin at school
Lee continues "I has observed many people overcoming emotional burden and depression by playing the mandolin. The instrument is not only used for classical music but also alongside the banjo in country music. So people can be easily familiar with the instrument once they know of it. A player standing on the stage means to share the story, feeling and thrill with the audience over just show off of one's technique. I hope more people will have the pleasure of listening and playing the instrument." Lee also mentioned about the regular university level course for mandolin in Japan which was encouraged by the film 'Captain Corelli's Mandolin' and regretted the fact that Korea still has a long way to go except the Korea Mandolin Association's holding the 1st National Mandolin Festival in 1997. It is Lee's goal to be the first mandolin professor of Korea and she wants to realize 'one person for one musical instrument' in the age of homo-hundred. 

 


¿À»óÇå ±âÀÚ  osh0416@naver.com
<ÀúÀÛ±ÇÀÚ © ¿ù°£ÆÄ¿öÄÚ¸®¾Æ, ¹«´Ü ÀüÀç ¹× Àç¹èÆ÷ ±ÝÁö>

¿À»óÇå ±âÀÚÀÇ ´Ù¸¥±â»ç º¸±â
¿©¹é
¿©¹é
½Å¹®»ç¼Ò°³¤ý±â»çÁ¦º¸¤ý±¤°í¹®ÀǤýºÒÆí½Å°í¤ý°³ÀÎÁ¤º¸Ãë±Þ¹æħ¤ýû¼Ò³âº¸È£Á¤Ã¥¤ýÀ̸ÞÀϹ«´Ü¼öÁý°ÅºÎ
¢ß´º½º¾Ø¸Å°ÅÁø ÆÄ¿öÄÚ¸®¾Æ ´ëÇ¥ ¹éÁ¾¿ø  |   ¼­¿ïƯº°½Ã ±¤Áø±¸ Á߰ 162-3¹øÁö 2Ãþ  |  ´ëÇ¥ÀüÈ­ : 02-466-5085  |  Æѽº : 02-444-0454
´ëÇ¥¸ÞÀÏ/Á¦ÈÞ±¤°í¹®ÀÇ : bridgekorea@naver.com  |  °³ÀÎÁ¤º¸°ü¸®Ã¥ÀÓÀÚ : ¹éÁ¾¿ø(bridgekorea@naver.com)  |  »ç¾÷ÀÚµî·Ï¹øÈ£ : 591-87-01957
û¼Ò³âº¸È£Ã¥ÀÓÀÚ : ¹éÁ¾¿ø
Disclaimer: PowerKorea makes an article based on the information of products and/or services provided in paper and/or in interview by the company, the organization or the person that is solely responsible for the information.
Copyright © 2008 - 2024 ¿ù°£ÆÄ¿öÄÚ¸®¾Æ. All rights reserved.