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part.1

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part.2

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À¯È­Ã³·³ »öÀ» µ¡ÀÔÈ÷´Â ÀÛ¾÷ÀÌ ¾Æ´Ï±â ¶§¹®¿¡ ¼± Çϳª¸¦ ±ß´Âµ¥ À־µµ ½ÅÁßÀ» ±âÇØ¾ß Çϸç, ¾ãÀº ¼±ÀÌ À̾îÁö°í ½×À̸鼭 ¸í¾ÏÀ̳ª ¿ø±Ù°¨, ±×¸®°í °­¾àÀ» Á¶ÀýÇÏ´Â °ÍÀ̱⠶§¹®¿¡ À̹̼÷ ÀÛ°¡´Â Çѹø ÀÛÇ°À» ½ÃÀÛÇÏ¸é ³¡³¯ ¶§±îÁö ÈåÆ®·¯ÁüÀÌ ¾ø´Ù.


part.3

±×ÀÇ ÀÛÇ°¼ºÀÇ ±Ù°£¿¡´Â ÇູÀÌ ±ò·Á ÀÖ´Ù. ¸Çµå¶ó¹Ì³ª Çعٶó±â, ¼¼ÀÙŬ·Î¹ö¸¦ ¼ÒÀç·Î »ç¿ëÇÏ´Â ÀÌÀ¯µµ ¡®Çູ¡¯À» Ç¥ÇöÇÏ´Â °¡Àå È®½ÇÇÑ ¼ÒÀç¶ó´Â »ý°¢¿¡¼­´Ù. ¶Ç, ´ä´äÇÑ Çö´ë»çȸÀÇ µ¹Æı¸¸¦ ÀÛÇ°À» ÅëÇØ Ç¥ÇöÇÏ°í ½Í¾î ±×ÀÇ ÀÛÇ°¿¡ Ç¥ÇöµÇ´Â ¼ÒÀç´Â ´ëºÎºÐ ĵ¹ö½º¸¦ ²Ë ä¿ì°í ÀÖ´Ù. 

°ø°£À» ºñ¿ì¸é¼­ ¼ÒÀçÀÇ È®´ë¸¦ ÀÌ·ï³½ ÀÛÇ°µµ ÀÖ´Ù. ÀÌ´Â ºñ¿òÀÇ ¹ÌÇаú ä¿òÀÇ ¹ÌÇÐÀ» ÅëÇØ ÆæÈ­ÀÇ ¸Å·ÂÀ» ´õ¿í È®½ÇÇÏ°Ô º¸¿©ÁÖ·Á´Â °æÇâÀ¸·Î Æò°¡µÈ´Ù. 

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ÀÌ ÀÚ¿¬ÀÇ Ãà¼ÒÆÇÀº ÆæÀ» ÅëÇØ »ç½ÇÀûÀ̸鼭 ¼¶¼¼ÇÏ°Ô Ç¥ÇöµÈ´Ù. ´«¿¡ º¸ÀÌ´Â ±×´ë·Î ±×·Á³»´Â »ç½ÇÁÖÀÇÀû ȭdz°ú´Â Á¶±Ý ´Ù¸£´Ù. »ç½ÇÀûÀÌÁö¸¸ ¡®´Ù¸§¡¯ÀÌ ³»Æ÷µÅ ÀÖ´Ù. À§¿¡¼­ ¸»ÇÑ ¼ÒÀçÀÇ È®´ë, ºñ¿ò°ú ä¿òÀÇ °øÁ¸ µîÀÇ ¹æ½ÄÀÌ ±×ÀÇ ÀÛÇ°À» ¡®´Ù¸§¡¯À¸·Î Æò°¡ÇÏ°Ô ÇÑ´Ù. 


part.4

¶ÇÇÑ, »ç½ÇÁÖÀÇÀû ȭdzÀ» Ãß±¸ÇÏÁö¸¸ ±× ¼Ó¿¡ ÀÀÁýµÈ À̹̼÷ ÀÛ°¡ º»ÀÎÀÇ Ã¶ÇÐÀû °³³ä°ú ÆæÈ­ÀÇ Ç¥Çö¹æ½ÄÀº ¿©´À À¯È­, ¼öäȭ, Çѱ¹È­¿Í °°ÀÌ ´Ù¸¥ À帣ÀÇ ÀÛÇ°°ú ºñ±³ÇغÁµµ ÃÄÁöÁö ¾Ê´Â ¿¹¼úÀû ¹ÌÇÐÀ» Ç°°í ÀÖ´Ù°í º¸ÀδÙ. ÀÌ´Â ¾î¶² À帣¸¦ ´Ù·ç´À³Ä°¡ ¹®Á¦¶ó±âº¸´Ù´Â ¾î¶² öÇаú ½É¹Ì¾ÈÀ» Ç¥ÃâÇÒ ¼ö Àִ°¡°¡ Áß¿äÇÑ »ç¾ÈÀ¸·Î »ý°¢µÈ´Ù. 

À¯µ¶ ±¹³»¿¡¼­´Â ÆæÈ­¿¡ ´ëÇÑ ¿¹¼úÀû Æò°¡°¡ ÀúÆò°¡ µÇ°í ÀÖÁö¸¸ ¼±Áø±¹¿¡¼­´Â ÀÌ¹Ì ÆæÈ­ÀÇ ¿ª»ç°¡ ±²ÀåÈ÷ ¿À·¡µÆ°í, ¿¹¼úÀû Æò°¡µµ »ó´çÇÑ ¼öÁØÀÌ´Ù. 

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ÀÌ·¸µí ±âº»À» Ãæ½ÇÈ÷ ÇÏ°í ±× À§¿¡ ÀÚ½ÅÀÇ Ã¶ÇÐÀ» ´ã¾Æ³»´Â ±×´Â ¾Õ¼­µµ ¾ð±ÞÇßµíÀÌ ¡®Çູ¡¯À» »©³õ°í¼­´Â ±×ÀÇ ÀÛÇ°À» ¼³¸íÇÒ ¼ö ¾ø´Ù. ÇູÀ» Ç¥ÇöÇϱâ À§Çؼ­´Â »ç¶ûÀÌ ÀüÁ¦°¡ µÅ¾ß ÇÑ´Ù°í °­Á¶ÇÏ´Â À̹̼÷ ÀÛ°¡. °ÅâÇÔ º¸´Ù´Â Æò¹üÇÔ ¼Ó¿¡ ´ã±ä ¾Æ¸§´Ù¿òÀ» ÀüÇÏ´Â ÀÛ°¡·Î ³²°í ½Í´Ù´Â ±×´Â ³×ÀÙŬ·Î¹öÀÇ Çà¿îÀ» ¦i±âº¸´Ù ¼¼ÀÙŬ·Î¹öÀÇ ÇູÀ» ¦i´Ùº¸¸é Çà¿îÀÌ ÇÔ²² ¿Ã ¼ö ÀÖ´Ù´Â ¸¶À½À¸·Î È°µ¿ÇÏ´Â ¼¼ÀÙŬ·Î¹ö °°Àº ÀÛ°¡´Ù. 


part.5

¾ó¸¶ Àü ³²¾çÁÖÀ¯±â³ó¹Ú¹°°ü¿¡¼­ 19ȸ °³ÀÎÀüÀ» ¸¶Ä£ ±×´Â ±¹³» ÀÛ°¡·Î´Â ÃÖÃÊ·Î °³ÀÎÀüÀ» ¸¶¹«¸® Áþ´Â ½ÃÁ¡¿¡ °æ¸Å¸¦ ÁøÇàÇϱ⵵ Çß´Ù. ¿©·¯ Á¡ÀÇ ¼ÒÇ° ¹× ´ëÀÛÀ» °æ¸Å¶ó´Â »õ·Î¿î ¹æ½ÄÀ¸·Î °ü°´µé°úÀÇ ¼ÒÅëÀ» ÀÌ·ð´Ù´Â Æò°¡¸¦ ¹Þ¾Ò´Ù. 

¿Ã 8¿ù¿¡´Â ´ëÀükbs¹æ¼Û±¹ÃÊ´ë·Î 20ȸ °³ÀÎÀüÀ» ¿­ °èȹÀ» °¡Áö°í ÀÖ´Â ±×´Â ´Ù¾çÇÑ Çü½ÄÀ¸·Î ±âÁ¸ÀÇ Æ²À» ±ú´Â »õ·Î¿î Àü½Ãȸ¸¦ ²ÙÁØÈ÷ ±âȹÇÒ °ÍÀ̶ó°í ÀüÇß´Ù. 



Philosophy depicted by a nib & stories about happiness completed in pen drawing


Western-style painter Lee Mi-sook



Part.1


Fascinated by pen drawing while on a trip to Indonesia in 2010, painter Lee has drawn hundreds of pen drawings for the past four years.

 

Once you have started a pen drawing, you have to finish it at once, as you will have difficulty connecting lines if you stop drawing in the middle. That means you must be sensitive, and careful when drawing lines.


So, painter Lee fills white paper using drawing pens only, which makes her works look more intense and simple.



Part.2


Pen drawing is rated as a genre of art which contains the soul of its drawer. 

"The drawer must concentrate everything on a thin nib until he or she finish the work, allowing no distraction, and draw and connect lines, keeping in mind only the intention and images of the work to be completed." explained Lee.


Pen drawing does not need to add colors like oil painting. As it adjusts its brightness and perspective by connecting fine lines, painter Lee never fails to focus on his works once she is started.



Part.3


All her drawing works are based on the notion of happiness. The reason she uses themes, such as sun flowers, cockscombs, and three-leaf clovers, is that she firmly believes they are a sure material for portraying happiness.

 

She also fills her canvasses to the full with the material, to display his wish to break through the stifling modern society. On the other hand, she created some of her works by leaving space in them, which is regarded as a tendency to presenting the charms of pen drawing through the esthetics of emptiness and fullness as well.


The flowers he uses as his objects are not just flowers to him. They are a reduction of nature, expressed delicately and realistically by drawing pens. Such a style of drawing is a little different from that of realism. It is realistic but contains differentness. What makes hrt works different is the above-mentioned method of expanding drawing objects, or coexistence between emptiness and fullness.



Part.4


In other words, she seeks the realistic style of drawing, but at the same time, her drawing philosophy and expression, condensed in the style, include an esthetics that equals any other genre of art.


Pen drawing is underrated as an art in Korea, but in other advanced countries, it has a long history and is highly appreciated as an art. Pen drawing is a genre of art, which you can never try without pencil drawing skills that form the basics of all painting. That is why, for nonrepresentational painters, Lee is a painter whose talent they can never underrate.


In addition, as mentioned before, we can not explain her works without mentioning the notion of happiness. Painter Lee emphasizes love is a prerequisite for expressing happiness. Lee, who wants to remain an artist to convey beauty contained in commonplaceness, rather than in grandioseness, is a painter believing three-leaf clovers are more likely to bring with them happiness, rather than four-leaf ones.

 

Part.5


Closing his 19th private exhibition at the Organic Farming Museum in Namyang-ju, she held an auction for the display around the end of it, which was the country's first. The new method was evaluated to achieve communication with the viewers.


Lee is also planning to hold her 20th private exhibition this Aug. at the invitation of the Daejon KBS, saying she will continue to arrange new exhibitions to break the existing patterns through various new formats.





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