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±èÈñÀç ÀÛ°¡

ÁÖ¼Ò : ¼­¿ï½Ã °­³²±¸ »ï¼ºµ¿ 104-9 ±èÈñÀç °¶·¯¸®

ÀüÈ­ : 02-546-1764 / 010-5304-1764

À̸ÞÀÏ : heejaek315@gmail.com



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Poetic rebellion and the myth of creation in the universe

 

Written by Hye-Ni Kim (Doctor of Literature, literary critic)

 

I am heading for the gallery of Kim HeeJae once again, I approach her and she comes to me slowly. My heart is thumping with excitement. I think of the time when I looked for her gallery. I opened a secret drawer she had hidden firmly without anyone's knowledge and stole a glance at the poetic rebellion of wild herbs contained in the secret drawer. The rebellion was the one raised by the ground that contains 'dialectical poetics of extinction and creation'. What can I peep from the secret drawer this time? My heart is excited with a curiosity. I go down step by step the basement where her atelier is placed. I fell into a state of ecstasy faced with her paintings. Her style of painting rose in poetic rebellion once again. It is a poetic rebellion flying high to heaven, not going down to the ground. It comes out riding on the end of a fine knife with a gesture of kicking out of the ground and flying high to heaven as the words of passion, joy, fantasy, silence, rest, calm, sublimation and others are performing an ensemble. And the wild flowers and wild herbs that filled her canvas a couple of days ago are looking up at the sky grasping firmly the ground of the fields with their rootlets and with their necks and heads holding up. I read through such a long legend while perfectly meeting with her unconscious world on the canvas.

 

Kim HeeJae, a painter is surely a poet and she is an alchemist with a knife. If not so, it would be impossible for her to put the ego deeply hidden in the heart for a life of long-suffering on the canvas neatly like that. The unconscious world she has hidden deeply for her shyness rise up like a fantasy. Her aim for an open world exercises cosmic imaginations. Her heart throbs with passion and erupts with joy. A rock face mountain is firmly placed in the middle of her heart. 'Mountain' is a sacred place remote from the mundane world by its height and 'rock' symbolizes cohesion, immortality, eternity, stability and so on by its strength and durability. Furthermore. in case of alchemy, so-called 'the stone of a philosopher' symbolizes the combination of conflicting worlds. Therefore, 'rock' is the nature of unifying wandering and stability, body and mind, conscious ego and unconscious ego into one. Like this, her heart forms 'the axis or the world', 'the axis of the universe' embracing everything as it is placed in a rock face mountain. It is an expression she wants to overcome the contradictions of the life, i.e. the limitations of human beings by substituting and improving them with cosmic imaginations.

 

Her paintings always are created from the end of loneliness and a fierce confrontation with solitude. She becomes deeper while making a dream staring at a pond in a solitary fantasy. There is no tiny bit of movement in her pond. After experiencing a sort of self-oblivion reaching the bottom of the existence, her spirit rises to the surface. The more we stare at the pond the more clear the pond grows. The pond inside of the canvas is her mirror and self-portrait. It is the entrance moving from the world of space to that of no space, the existence of time to that of no time. The image of her staring at the pond reminds us of the poem named 'lake' by Lee Hyeong-gi

 

Like an inevitable promise / I am waiting for you / the youth overgrown like a tree / by the leafless lake without quite realizing it / stays up all night with eyes open kike a lake. // love does not make me cry any longer / there are only eyes / quietly heading up // Even by the wind that whistles through / what trembled like the whistling wind / the mystery how it can be calm like this / where does it come from. // truly waiting is / to keep in another heart / the thing like this cold and sad lake.

 

She is waiting for the initiation in the process of rising up to the world of heaven from that of the ground. That is the very quiet and winding spur of the mountain. This road is the corner going from the ground to heaven and the mundane world to the sacred world The inside mountain place where the road ends is silent. Her silence lets us know that there is another road beside the road. The silence becomes a wind and grows up in the mountain. She climbs up the rock face and rises up over the cloud. And the universe is swamped by the cloud and she soars up to the sky spreading her wings. The cloud passes by the deep inside of the mountain dividing through the wind. She approaches in the stairs of heaven after climbing over the ridge and turning around the mountain peak. While going up the stairs, she puffs out the breath of gifted nature.

The color, one of the most general symbols is usually classified into two. One is 'progressive colors' giving the active and warm feelings and another is 'regressive colors' giving the passive and cold feelings. But what is mixed with these two tempers is green color. Her canvas is filled with light green and dark green. Here the light green means 'Life' but the dark green implies the color of mystery mixed with the land(yellow color) and the sky(blue color) and symbolizes foreknowledge, recycling and revival at the same tine. The fact underlies even in the base of these colors that Kin HeeJae's paintings symbolize the rising up to heaven from the ground and the union of the ground and heaven.

What she stared at the pond is not that of mythical handsome boy, Narcissus who died by drowning while staring at his shadow in the pond. And her rising up to heaven is not the sad flying by lcarus who flies with the wings of a wax in order to escape from the maze of Minos. The secret of the unconscious world contained in her canvas is no more than the myth of mysterious creation of the universe.



±èÈñÀç ¾à·Â

 

Áß¾Ó´ëÇб³ ȸȭ°ú Á¹¾÷

ÇÁ¶û½º Æĸ® Ecole des Beaux-Arts ¼öÇÐ

2003-2004 COIRS ADULTES POUR

 

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2002 ã¾Æ°¡´Â ¹Ì¼ú°ü ÃÊ´ëÀü (±¹¸³Çö´ë¹Ì¼ú°ü)

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2001 ¸¶ÀÌ¾Æ¹Ì ¶óÀÌ¾ó½º °¶·¯¸®, ¿öÅ©¼ó ¹× ÃÊ´ë °³ÀÎÀü

2000 NEW YORK ART EXPO, ÃÊ´ë °³ÀÎÀü

1998 Á¦6ȸ ¿ù°£ ¹Ì¼ú¼¼°è ÃÊ´ë °³ÀÎÀü (¿¹¼úÀÇ Àü´ç-ÇÑ°¡¶÷¹Ì¼ú°ü)

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1986 ÀϺ» ¹®È­¿ø ÃÊ´ëÀü (ÀϺ», µ¿°æ)

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